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Meike Prime 24mm T2.1 Cine Lens for Full Frame Cinema Camera Systems,such as Canon C700 C500II,Sony VENICE,Sony FX3 FX6,FX9,Z Cam E2-F6,Alexa LF,Mavo LF, Mavo Edge 8K


This is Meike’s fourth full-frame cine lens and it now joins the Full Frame cine lens family.  It covers an image circle of 45mm. It is available in either PL, Canon EF, Canon RF, Sony E, and Panasonic L mounts.

The complete set includes

It has industry-standard 0.8mm pitch gears on the focus and aperture ring.The lens design of the Meike 24mm T2.1 FF-Prime consists of fourteen elements in nine groups.The aperture mechanism consists of 11 aperture blades. The minimum focus distance is 30mm.


The Meike 24mmT2.1 Full Frame Cine Lens is available for Pre-Sale from now on!

The estimated shipping date is in the middle of December.

【The estimated shipping date has been delayed to the middle of December due to COVID-19. Sorry for inconvenience caused and appreciate your kind understanding.


  • Canon C700 C500II
  • Sony VENICE
  • Alexa LF
  • Z Cam E2-F6
  • Mavo LF
  • Sony FX3 FX6,FX9
  • All full-frame Sony, Panasonic. Canon, Sigma, Leica mirrorless
  • All Super 35/ APS-C sensors
Lens Mount:  PL/EF/RF/E/L
Min Focal Dist: 30cm
Filter Thread: ø82
Image Circle: 45mm
Structure: 14 Elements in 9 Groups    
Focal Length: 24mm
Aperture Range: T2.1-T22
Iris Blades: 11    
Gear Mod: M0.8    
Focus Rotation: 330 Degree    
Dimensions (Ø x L): PL: 
ø89.6 × 101.9
                              EF(Canon):     ø89.6 × 110
                              RF(Canon):     ø89.6 × 133.9
                              E(Sony):         ø89.6 × 135.9   
                              L(Panasonic): ø89.6 × 133.9
                              Z(Nikon):       ø89.6 × 137.9
Weight: 1111~1185g
on FF cameras:     on APS-C camera:
Diagonal:83.4°                                     Horizontal: 72.6°                       
Vertical: 52° 
Diagonal:60.1°                                      Horizontal: 51.3°                       
Vertical: 35.1°

Customer Reviews

Based on 1 review
Raymond Tuquero
Wide beauty on a Full Frame

A 24mm lens on a Full Frame sensor is just a thing of beauty.
I already owned the first 3 lenses out (the 35, 50 and 85) and this 24 didn't disappoint.
Being a very wide lens, I didn't notice any distortion on the edges nor any noticeable softness on the edges either. Sure if you take it to a chart and pixel peep it, you will see that, but honestly on a project and framed right ... you wouldn't notice.
Only small issue to some I can see ... no AC side, but if you are a solo operator and looking for a quality piece of wide glass for your Full Frame camera, it's great.
You will not be disappointed. I am looking forward to the 16mm lens to hopefully come out soon.